Monday, November 13, 2017

Featherwing publication

Thrilled to hear Timothy Gager, fiction editor of Wilderness House Literary Review, has accepted my story Featherwing for a winter publication.

Thursday, November 2, 2017


She watched Gram recede, wearily. No time for her. No time for that. She turned back to him. Soon he'd be far and unreachable. Long drives on a Sunday for fresh eggs. The swell and swerve of country roads. The way he winked, took his hand off the stick shift, reached over and squeezed her knee. She giggled. Time was boundless.

And now in one strangled moment--Gram praying in a pew, organ music resuming, the sun illuminating The Last Supper and Jesus and his Disciples, a kaleidoscope of colors spinning like the Holy Ghost in a whorl of dust overhead--Cecilia became like him, like stone. She was convinced if she stood there long enough, stared at his hands, she might rise up into the spiraling dust, to look down, to see herself and him, poised, both of them, in the final scene.

marion and last days excerpt from 40 days of asylum

Marion spared me, stared at me so deeply as if she could siphon out the unsaid. If only Tad said my Catherine like that, I used to opine, before the letter, before the mistrust, if only he could be so intensely curious about me, not make assumptions. Never mind that Tad was usually right. Still, there was the gnawing twinkle of curiosity in Marion’s foggy eyes, that slow pulling out of a thought, the introspection, laborious, maybe, but more searing and sensitive.

Saturday, October 14, 2017

excerpt from featherwing

Putting together a short story collection, finally, and then I'll return to novel and querying agents. 
I have a two new short stories out--waiting. 
 Excerpt from Featherwing (tentative title for collection), even though sis says not a word, but it is kind of is a word, found it places, and it was a nickname my father used for my middle boy, Joe.
The story includes a few references to birds, too.  (not sure why/how that happened) 

“More pepper, Daddy.”
 “Daisy wants more pepper?” 
Robin watches as he leans in closer, kisses her cheek, tousles her curls with his free hand. She smiles and then brushes him away. The girl does not know how her father crawls into their bed at dawn, helps himself to her mother, just to absolve his conscience. But the boy suspects, she decides, because he believes he is like a fox and his senses are heightened, and his bedroom is across the hall, and he rarely talks anymore, and she can see it in his scorn and aloofness. She thinks of him like her pet, making sure he is fed and bathed. And even that is not always possible as he darts away when she approaches him. 

Friday, September 22, 2017

Ebbing excerpt from 40 days

Day 14 ebbing

He stared back at me, unconscionably, as if I were a grossly errant creature. Maybe it was not me, not my voice. I have an uncanny ability to incarnate a person, like Marion in her final moments. When I don’t know a thing, I imagine it. Marion  awake that night, fearful of never waking. Her times was short, but, still, even at her age, she was fearful of the unknown and what it entailed, maybe heaven, reunification, maybe reincarnation, maybe nothing. She recalled James, the way he stomped his foot down and twisted, as if he were killing an ant. “That’s all that happens,” he’d say. And she’d say “Oh, James, stop!” and hit him, playfully. But now it was of no comfort and she shuddered at the memory.  So she settled on me, our visits, my recent fears about Jim Jones, how I seemed sad, profoundly sad, she decided, unfulfilled, seeking something beyond what Marion could provide for me (although she tried) and she wanted to dwell on it, pause, probe, but that notion kept slipping, all the time lately slipping, and she felt inebriated, swept up, encapsulated, the way the tide ebbed like the sun hitting water, piercing it like blades of blue pointed rays of fire, unsettled, James next to her, his utterances, deep sighs, her feet buried in the sand, in the warmth, security tide is moving in he had said, or she said, and then silence, and she with her gin and tonic with a lime, two limes, James had said, no, no, too bitter, too bitter, she told him. Yes, maybe I’ll try. He liked to have his way and she liked to let him. What did it matter, really, if she had one or two limes? It empowered him. Leo fell asleep so early  he mentioned.  Fed him an early dinner.  Poor boy. He was wiped out. Leo, always sickly, frail. Priscilla and Lilly, in the waves, running back and forth, tan-legged, skinny, bean poles, brown as berries, they get brown as berries, she’d tell everyone, those two, and she imagined little Leo in in his crib, fighting to keep his eyes open, just like his mother, looks just like his mother...she felt it now, the heavy lidded weight of it, now at eight-nine years old, a long time to live, she could feel it herself, remembered the way he fought sleep, fought it all the time, and she crept into his room and saw him wide-eyed, staring up at the ceiling, at nothing in particular. And she stared at the nothing with him, and, now, too, in this moment, the return to nothing settled her.
“Do you want to talk about it, Catherine?"
“Why should I do that?”  
He looked at me, then, in that way,  and smirked as if he got what he wanted, engorged my mind with his intimations.

Thursday, September 7, 2017

Sylvie and musings on Jim Jones excerpt

Even as a young boy, Jim Jones was weird. He grew up in Indiana, on the wrong side of the tracks, unaccepted, a loner, fixated on Pentecostal religion. He was said to kill small animals so he could recite eulogies for them and trap neighborhood kids in his barn so he could preach to them. She imagined, like all tyrants, Jones as a small boy, where others were climbing trees and building forts, Jones set his sights somewhere else, honed his skills of elocution and gesturing, fed his ego until it grew first inside of him and then outside of him, so that anyone standing next to him was somehow smaller in size and importance. He became charismatic, bewitching, acquired and perfected all the mannerisms and makings of a cult leader with inexplicable sway over his followers. The followers sought a power to control them, someone who could say do it or die. It was no surprise that it was a man. Most cult leaders are males (I know this to be a fact). It is no surprise as males have the right kind of authority. And they are the superior beings, according to the bible, according to Simone de Beauvoir, according to the the written and unwritten word, and at some point, it became internalized, a maxim, an unconscious norm accepted as truth. And no matter the culture, beliefs or values, we women hold the community together by simply continuing with the daily routines of life, despite chaos, an impending doom. The chores more than likely kept us naive, blindly occupied in the trivial, the mundane rituals. It wasn’t surprising then how reporters found order, laundry hung out to dry, fields plowed, and a metal tub filled with grape Flavor Aid and Potassium Cyanide, and the nine-hundred or so bodies piled on top of each other, children at the bottom, the first ones to go, small cups and syringes littered the spaces around them. The messy environment was indicative of an even more tragic possibility, the notion that such an orderly community might litter their environment, might have have come to their senses too late, that they had a glimpse of him, the imposter, and what was happening. But by then the female chores, the mundane that had occupied their minds, kept them captive, unaware, betrayed them, took them down to the depths they had never considered.

I inhaled deeply, my last few drags, heard footsteps, Linda’s abrasive coughing down the hallway, thought of Tim Chapman, the reporter, the photographer, the artist, imagined I might call him, or write to him, ask to meet him for a cup of coffee to talk about the way he saw death in colors, wide angle shots, horizontals and verticals. Tim Chapman extraordinaire. Before his helicopter touched down, he saw it, reported on the compound--the colored specs, happy colors-- the reds and greens and blues, two parrots on a fence-- a red and yellow macaw and a blue and yellow macaw, near the bodies, the good people of the compound, he referred to them, Peoples Temple, the men, women, children, black, white, the rotting meat, swollen, grotesque, cooked and bursting, three days in the sun. Their heads oddly positioned, pointing to Jones.

By the time I took the last drag and blew out the smoke, Linda walked in, scowled, and went about her business, fixing her hair, smoothing out her shirt, checking her teeth, muttering under her breath about not having enough sick time, how she can’t get ahead, how she has to fix the damn wall that her husband punched, and then there’s the car, blew another gasket, needs brakes, and why should she work to support him, and the useless son who can’t get his fat ass off the couch. Just like his father, she said. They hate me. I sleep with one eye open, she added. Believe you me, one eye.

Women like that depress me.

Dandelion Village and the labyrinth excerpt

I loved that sacred wall in the labyrinth, Dandelion Village, Marion's slight voice, cracking, fading, so much bigger than Tad and his infidelity or the dangling branch, it was a Lampedusa of sorts, testimony to the farmers, the salt of the earth people might say, not me, no, I never said those things, and Tad was wrong this time, because I could care less about the dead past, not now, not while the present was so visceral, when Marion was dying, not when he may have been falling deeper in love every minute, laughing at her jokes, watching her mouth, the nape of her neck when she looked down at the ground just so, but maybe Marion, or even her father, maybe Theodore Quinn, he might have said it, or men like him, the kind of man Tad might have wanted to be but never could be, these men like Theodore Quinn, men who climbed and fastened shingles and lightning rods to roofs, men who fixed, who hammered and sawed, brought trees down, men with sanguine cheeks and callouses, these men who worked hard, worked from dusk until dawn, prayed before meals, thanking the Lord for family and bread and drink, prayed with calloused palms used for tightening and hammering, later used for caressing a wife or a daughter’s cheek, men who drank hard, drank whisky, told stories while fire embers cracked on mud-caked boots, dazed, weary men who sat still as stones, enamored by wives busy and bending, lusting, wiping raw hands on aprons, swiping stray hairs away from tired foreheads, while these husbands, watched, voyeuristic, watched and waited for the taking, knowing the pleasure was more in the the hunt, anticipating the taking, when she was unaware, sewing, bent over the belly stove, emptying water into the basin. Those were easier times, Theodore Quinn might have said, good times, before the race riots, before the cults, before Jim Jones, before the Manson Murders and Helter Skelter, before the sexual revolutions, before women argued for the sake of arguing, burned bras, held signs that said women power and peace not war, before all of the angst and misery and modern conveniences that made life more complex, more dangerous, turned women against themselves, as they had too much time now to consider their own importance, to see themselves amounting to more than breeders, to reflect on their roles, to become problematic and snarky and dismissive of their men, no matter how hard these men worked.

Monday, August 21, 2017

Paulo Freire - An Incredible Conversation

"A curious being must create in oneself a virtue..."

Another highgrade rejection with helpful tips

My brief time enrolled in Goddard's MFA program, I attended some great workshops. I recall an agent saying if a rejection includes a request for more work, get on it. I have collected my share. I had to return to older emails to find out who wanted more of my writing, who liked it, who requested full manuscripts  etc. One agent, I stumbled on, Andrea Somberg had requested fulls, expressed an interest in a couple of my novels, and she was extremely helpful.  Unfortunately, this latest novel 40 Days of Asylum has taken longer (going on three years now) but encouraging words from Somberg inspire me to keep going. (also see video below...the brilliant William H. Macy interview, and his experience in Goddard College). I do wish I had completed my MFA there. (sigh)

Dear Elizabeth, 

There's some beautiful prose in these pages -   in fact, the quality of writing is far superior to most of the material that crosses my desk.  I also thought these pages had a great sense of atmosphere and I found Eliot and Lenore to be intriguing, multi-dimensional protagonists.  It's with real regret, though, that I must admit that I ultimately didn't fall in love with the manuscript as much as I had hoped. Perhaps part of the problem is that I never felt fully grounded in the world or in the storyline itself. As a result, I found it tough to feel fully invested. Elizabeth,  in spite of this manuscript's considerable strengths, I'd better bow out. I suspect that, based on my above reservations, I just wouldn't be the best advocate for the project. 

Thanks so much for contacting me, though, and for giving me this opportunity!  It is much appreciated, and I'm sorry to be passing. This is such a subjective business -  I'm sure another agent will be a better fit.  I do think you're a very talented writer. If you ever find yourself without representation but with a new project on your hands, I would love to hear from you. Regardless, though, thanks again, and all the very best of luck on the road ahead.   

best, Andrea

Sunday, August 20, 2017

excerpt: 40 Days of Asylum Alice Beckett and Jesus

Alice Beckett asked me if I ever saw Jesus Christ. I told her I did not. She said she saw him recently at the foot of her bed. I want to believe it is Jesus, she said. But then I wonder. I asked her what he looked like and she said he had magnificent height and very light features, delicate like snow,  chiseled features, and aquamarine eyes like the Caspian Sea, she said.That sounds too perfect, I told her. Jesus was dark skinned with dark features and he was short. She looked away from me then and was quiet. I said I was not sure about these things. She then went on about the size of the Caspian Sea and how they determined that the hummocks are to blame for the scratch marks on the floor. I wonder if he’s sending me a message. That was last week. Now she sleeps, probably sedated. She is too young to be disregarded. But I keep silent. I know they are tricky and could use it against me like ammunition.

The Altering

Inspiration for poem is Sylvie's preoccupation (novel). Glad to be a contributor to Tree House with The Altering. 

Saturday, August 19, 2017

Novel Musings and rejections

I'm back to my old blog.

Musings and novel updates...slow going, years (close to three total now) and each page, each of Sylvie's entries, continues on, evolving. It is consuming, and it seems to be a part of me, always there like a close friend.

I'm still convinced it may just be too quirky for mainstream publishers and so I will try smaller ones more apt to consider works that are literary, not so much plot driven. I'm almost halfway there, but the opening pages, I've spent painstaking hours on as these, will be the first ones to catch the agent's eye, and these pages will either seal the deal or get it rejected.

I may submit another excerpt. Speer Morgan, Editor of The Missouri Review (TMR), to whom I grateful and always impressed, referred to it as a "close call" and wanted to see more of my work, even provided a brief critique.

This story is what I call a "close call." It's quite well written, coherent, with two strong personalities and a meaningful friendship that is convincingly described.

The reason that I am going to pass on it is that it brings up too many questions without enough suggestions of final focus or meaning, and because I think that it's conversational form is finally not the strongest way to present it. Potential themes are ageing, unlikely friendship, feminism (in a specific historical context), relationship demise, etc., but none of them is finally circled around or strong enough in thematic focus.

Anyway, you are a fine writer, and I hope I see more from you.

Speer Morgan
It may seem pathetic, but affirmation from Speer Morgan is big for me and this is a high grade rejection. I'm close. If I get a story in a top tier magazine such as TMR then I get more visibility and greater chances of securing an agent for my novel. I will start submitting another round in the upcoming days.

Saturday, March 11, 2017

Crabbing on the Jetty and Simone DeBeauvoir

"I’m not kidding Thomas. Knock it off!” The girl screamed and her face turned a beat red, youthful, heady. Sylvie felt the girl’s angst well up inside herself like desire, as the girl grabbed part of the boy’s shirt, but at the last moment, he’d slip away. Sylvie felt it too, the give of the material, his shirt, the tug, the yanking, the pulling away, the futility of it like crabbing on the jetty, the way the crab slinked out from between the rocks, fast, undaunted, lunged onto the pink mussel. She’d yell got it, and there was Dennis, jeering, the way older brothers do, peering over his thickly splayed blond bangs, admonishing, and the crab was there, on end of her string, and she’d try to heed her brother’s past warnings to wait, not to bring the string up too soon, and she’d feel the tug and she wanted to listen to Dennis, but something inside her made her yank it up too soon, and the crab let loose and retreated back behind the rocks. Dennis was unmoved, as if he expected it, eyes on his own hole, his orange bucket filled with crabs scratching to get out, and there he sat, empowered, indifferent to the crabs, their suffering, and hers, full of himself, what Simone De Beauvoir called male pomposity, waiting for her to slip, knowing no amount of clawing could make him budge, knowing she was a girl, destined to botch the crabbing and it was all a precursor to her later failures at college and marriage and motherhood. She was never good at catching crabs because she was a female, she determined later, she was more sensitive, empathized with the crabs, imagined it was herself being dragged out of her home, tossed into a bucket, baked in the sun. She loathed the crabs for that, for their weakness, their inability to get out of the bucket. She loathed herself for caring and failing.

Below is Simone de Beauvoir interview with subs. One of the foremost thinkers of the 20th century. After reading "The Second Sex" and rereading a few times, I was inspired to write my current work and Simone de Beauvoir is integrated into the fiber of it. Before she was 21, she got her BA in math and philosophy and then studied at the Sorbonne in Paris, mingled with other progressive thinkers--Jean-Paul Sartre and the two became a thing, non-traditionally speaking. They signed a contract but it did not prevent the tumultuous problems that ensued. She was unique in many ways, one being how she interjected herself into her writing, which was not very common at the time.

Annointing up in Sleet Magazine and other

New publication here Sleet Magazine    And cute pic of Jack, the greatest showman And excerpt... Ro was a good boy, Josi felt.  She n...